Jasmin Campos — Sound Engineer

About

Engineer.
Designer.
Listener.

I'm a Sound Recording Technology student at Texas State University with a concentration in Voice, graduating May 2026. My experience spans studio recording, live event production, and synthesis research.

I've worked alongside engineers at ChurchHouse Studios, ANTIMATTER Studios, and Dogstar Studios in Austin, and supported large-scale live productions including the Tejano Music Awards Fan Fair and SXSW.

My capstone project explores the evolution of synthesis across six decades — recreating iconic sounds entirely by ear using Roland Cloud.

Technical Skills

Pro Tools

Logic Pro X

Audacity

Reaper / JSFX

Roland Cloud

Dante Level 1

Mic Placement

Signal Flow

Live Sound FOH

Session Setup

Synthesis

Podcast Production

Work & Projects

Experience &
Capstone

ChurchHouse Studios

117 hrs

Austin, TX · Assistant Engineer

Assisted engineer David Boyle across multiple tracking sessions including full band records, overdubs, and album projects. Hands-on experience with session setup, mic placement, signal routing, and client communication.

ANTIMATTER Studios

30 hrs

Austin, TX · Assistant Engineer

Worked with engineer Matt Meli on a range of sessions including guitar tracking, overdubs, and Rock Camp productions. Developed workflow adaptability across different studio environments and client types.

Dogstar Studios

12 hrs

Austin, TX · Assistant Engineer

Attended a full tracking session for artist Jo James. Observed professional session flow, mic setup, and signal chain management in a new studio environment.

Tejano Music Awards Fan Fair

54.5 hrs

San Antonio, TX · Live Sound Assistant

Assisted FOH and monitor engineers across four days at The Great Lawn. Managed stage changeovers, IEM routing, and soundchecks for multiple bands per day. Ran FOH independently for Up Above Entertainment.

ION Houston

80 hrs

Houston, TX · AV Technician

Served as AV technician for conferences at ION District over two weeks. Managed all audio independently, coordinating with a visual tech for presentations. Events included Perfecting Your Pitch and HUMAN. Stories.

SXSW Live Sound

25 hrs

Austin, TX · Volunteer Engineer

Volunteered across multiple venues over four days. Served as Team Captain on day one. Mixed FOH for showcase events including a 14-piece experimental ensemble. Managed back-to-back 10-minute changeovers.

SRT Capstone Project — 2026

Synth Decades:
Recreating Iconic Sounds by Ear

A sound design and research project focused on recreating 11 iconic synthesizer sounds spanning the 1970s through 2020s — entirely by ear, from initialized patches in Roland Cloud.

Each recreation is documented with process notes, historical context, and synthesis methodology. Sounds were built using Zenology within Roland Cloud. The project also includes a custom JSFX plugin built in Reaper for sound recall and parameter comparison.

Roland Cloud

Zenology

Reaper / JSFX

Subtractive Synthesis

FM Synthesis

Sound Design

Sound	Artist / Track	Decade
Vibraphone / Rhodes	Minnie Riperton — Lovin' You	70s
Moog Bass	Parliament — Flashlight	70s
Synth Lead	Eurythmics — Sweet Dreams	80s
Oberheim Lead	Van Halen — Jump	80s
Synth Lead	Daft Punk — Around the World	90s
Layered Saw Pad	Darude — Sandstorm	90s
Muted Lead	Lady Gaga — Poker Face	00s
Wide Pad	Lady Gaga — Poker Face	00s
Gritty Bass	Lady Gaga — Poker Face	00s
Chorus Lead	MGMT — Kids	10s
Bell Pad	The Weeknd — Blinding Lights	20s